Charlotte (シャーロット Shārotto) is a 2015 Japanese anime television series produced by P.A.Works and Aniplex and directed by Yoshiyuki Asai. The anime aired 13 episodes in Japan between July 5 and September 27, 2015. An original video animation episode was released in March 2016. Two manga series were serialized in ASCII Media Works' Dengeki G's Comic. The story takes place in an alternate reality where a small percentage of children manifest superhumanabilities upon reaching puberty. A focus is placed on Yuu Otosaka, a high school boy who awakens the ability to temporarily possess others, which brings him to the attention of Nao Tomori, the student council president of a school founded as a haven for children with such abilities.
The story was originally conceived by Jun Maeda, who also wrote the screenplay and composed some of the music, with original character design by Na-Ga. Both Maeda and Na-Ga are from the visual novel brand Key, and Charlotte is the second original anime series created by Key following Angel Beats! in 2010. Maeda had thought up the concept for Charlotte long before he was approached in early 2012 to work on another anime series after Angel Beats!. Maeda narrowed down the number of main characters compared to Angel Beats! and attempted to put more of a focus on their behavior. Instead of employing the same staff that had worked on Angel Beats!, the aim for Charlotte was to bring together a staff that would add a new variety to the creative process to prevent being influenced by the work done on Angel Beats!.
Charlotte was praised for its unpredictability and evocative moments, but its pacing and structure have been criticized as inefficient. It has been described as approachable for a wide audience and for defying the "moe anime" stereotype. Although the comedic elements have been called dumb and corny, they have overall been lauded for offering some relief from the serious moments, which one reviewer likened to a palate cleanser. P.A.Works' production was praised for its beautiful animation sequences and expressive cinematography